Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Friday, June 19, 2015

Barry Lopez

Barry Lopez [Willamette Week]

from Barry Lopez's Winter Count:

"I have no idea," he had told her once, "why I long to be in that landscape, but I do. Maybe it is only being alone, infinitesimal. I can look at a whimbrel, the long-legged, hesitating movement, as if the bird were waiting for thoughts to enter its mind, and understand why in that vast tundra it chooses as it does precisely one lonely place to sit."

Wednesday, October 29, 2014

W. S. Merwin

W. S. Merwin [Stanford]

from W. S. Merwin's The Vixen:

Garden

When I still had to reach up for the door knob
      I was wondering why the Lord God whoever that was
who had made everything in heaven and the earth
      and knew it was good and that nobody could hurt it
had decided to plant a garden apart
      from everything and put some things inside it
leaving all the rest outside where we were
      so the garden would be somewhere we would never see
and we would know of it only that it could not be known
      a bulb waiting in pebbles in a glass of water
in sunlight at a window You will not be wanting
      the garden too the husband said as an afterthought
but I said yes I would which was all I knew of it
      even the word sounding strange to me for the seedy
tatter trailing out of its gray ravelled walls
      on the ridge where the plateau dropped away to the valley
old trees shaded the side toward the village
      lichens silvered the tangled plum branches hiding
the far end the scrape of the heavy door as it dragged
      across the stone sill had deepened its indelible
groove before I knew it and a patch of wilting
      stalks out in the heat shimmer stood above potatoes
someone had cultivated there among the stately nettles
      it was not time yet for me to glimpse the clay
itself dark in rain rusting in summer shallow
      over fissured limestone here and there almost
at the surface I had yet to be shown how the cold
      softened it what the moles made of it where the snake
smiled on it from the foot of the wall what the redstart
      watched in it what would prosper in it what it would become
I had yet to know how it would appear to me

Wednesday, April 2, 2014

Edward Abbey

Edward Abbey [Abbey's Web]


The personification of the natural is exactly the tendency I wish to suppress in myself, to eliminate for good. I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it’s possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description. . . .

the strangeness and wonder of existence are emphasized here in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity; with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom. . . .

I can hear myself think. . . .

In the evening the wind stops. A low gray ceiling of clouds hangs over the desert from horizon to horizon, silent and still. One small opening remains in the west. The sun peers through as it goes down. For a few minutes the voodoo monuments burn with a golden light, then fade to rose and blue and violet as the sun winks out and drops. My private juniper stands alone, one dead claw reaching at the sky. The blossoms on the cliffrose are folding up, the scarlet penstemon and the bayonets of the yucca turn dull and vague in the twilight. . . .

A venturesome minority will always be eager to set off on their own, and no obstacles should be placed in their path; let them take risks, for godsake, let them get lost, sunburnt, stranded, drowned, eaten by bears, buried alive under avalanches — that is the right a privilege of any free American. . . .

At what distance should good neighbors build their houses? Let it be determined by the community’s mode of travel: if by foot, four miles; if by horseback, eight miles; if by motorcar, twenty-four miles; if by airplane, ninety-six miles. . . .

to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it’s possible, the bare bones of existence . . . the bedrock

Friday, August 16, 2013

16 August 2013

mole crab [Ben Pappas]

Cowell Beach Anatomy


I’m wetting my shins,
toiling through surge & tow,
recoiling from chill at my thighs.
My torso shudders & sinks
through ocean brown & cluttered
with plastic & feathers.
Kelp threads harness my hands.
Below me I wish for seabeds
of starfish & anemone.
Otters turn ebony heads
to witness the sea lions barking.
Close to the wharf
a breast imprudently slides
from a worn-out bikini.
She’s sleeping, a cloak
of flesh-seeking flies gleaning
her sun-buttered hide.
Walking myself dry
I’ve seagulls for mates,
no sand-crusted lifeguards-

in-training feet sprinting 
toward waves, no one hand
straining for coach's brawn,
the other backstroking hard
to earn one of ten batons.
One my way home
the sign — bacterial tests,
not to be touched, not to be ingested.
What brain do I swim by?

Sunday, April 14, 2013

14 apr 2013

panorama by Jay Hosler

Ezra Pound: Richard St. Victor has left us one very beautiful passage . . . by naming over all the most beautiful things we know we may draw back upon the mind some vestige of the heavenly splendor

rabbits
parrots
yellow flowers
steamed vegetables
Tova smile
a male mallard’s head color
a fox tail
hummingbird gleam
sunrise
crescent moon
rain smell
asparagus & shrimp
sleep
boiled rice
sea turtle
hapu’u fern frond
egg hatch
cactus bloom
scanning electron microscope


Membracidae, treehopper [courtesy of Dartmouth]

esemplastic: unifying; having the power to shape disparate things into a unified whole