Mike
is melting the spatula
a project he
began a week ago
with
one charred corner
this
morning another
plus
collateral damage
now
Mike’s pruning the spatula
paring
away the melted spiral thread
his
focus so absolute
he
burns his eggs
Wallace Stevens [pic courtesy of A Poet Reflects] |
Autumn
Refrain
The skreak and skritter of evening gone
And grackles gone and sorrows of the sun,
The sorrows of sun, too, gone . . . the moon and moon,
The yellow moon of words about the nightingale
In measureless measures, not a bird for me
But the name of a bird and the name of a nameless air
I have never — shall never hear. And yet beneath
The
stillness of everything gone, and being still,
Being and sitting still, something resides,
Some skreaking and skrittering residuum,
And grates these evasions of the nightingale
Though I have never — shall never hear that bird.
And the stillness is in the key, all of it is,
The stillness is all in the key of that desolate sound.
Being and sitting still, something resides,
Some skreaking and skrittering residuum,
And grates these evasions of the nightingale
Though I have never — shall never hear that bird.
And the stillness is in the key, all of it is,
The stillness is all in the key of that desolate sound.
Pimone Triplett [pic courtesy of Poetry Foundation] |
from Voltage Poetry, Pimone Triplett's "Turn, Counterturn and Stand: Music and Meaning in Wallace Stevens' 'Autumn Refrain'":
That
sounding of skreak
and skritter is
relentlessly anti-elegant and hopelessly American, and in so saying
the grackles are known to
be absent from the scene even as they are felt to
be noisily present. . . .
one
can almost see a bent wrist’s theatrical touch to the hero’s brow
. . .
the
important but seemingly incremental revision from “being still”
to “Being and sitting still.”
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