hair
/ feathers
cunt
/ dick
animal
/ plant
ears
/ skin tags
money
/ stamps
male
/ mail
power
/ outage
mountain
/ plane
bird
/ brain
head
/ egg
rebel
/ yank
mercy / war
shit
/ pot
fog
/ lighthouse
box
wine / chateaubriand
come
alive / cop it
broke
/ flush
green
/ polluted
sword
/ trowel
sudoku
/ anal sex
socks
/ mittens
hoof
/ nail
sink
/ toilet
shit
/ chocolate
crab
/ stroke
galley
/ head
oar
/ wand
bean
/ brawn
sincere
/ camp
academic
/ savant
bread
/ art
idealists still believe in progress — realists believe in local change
idealists still believe in progress — realists believe in local change
gardens attract animals — armadillos, birds, cats, foxes, insects,
rabbits, toads
from Chain #1:
Johanna Drucker: women play
the same games as the men once in power
Kathleen Fraser: Our hearts did not belong to Daddy. . . . we preferred to be
surprised and pulled into linguistic maps that clearly
connected us up to sudden locations of self knowledge &
recognition of intellectual/ spiritual/ esthetic zones we might
otherwise never have inhabited.
Sigmund Freud: The mechanism of poetry is the same as that of hysterical
phantasies.
Elliot George Mishler: [The physician] responds to one element of the
patient's account, usually her mention of a specific symptom,
abstracts it from the context in which it is presented, and then
refers to the symptom within another context expressed in the voice
of medicine. The symptom is thus transformed by being relocated to a
different province of meaning . . . much is lost in the translation
from one voice to another. It is as if a poem in one language that
uses qualities of the weather, such as its dampness or coldness, as a
metaphor for the feeling state of the narrator were to be translated
literally into another language as a description of the weather. . .
. Although two persons are talking to each other in the medical
interview, it does not have the essential reciprocity feature of
ordinary face- to-face interaction and rnight more precisely be
viewed as face -to-mask interaction.
Speaking of Which
Speaking
to an Argentine man
is
equivalent to interviewing
the
person who invented the box
works
only inside the box
cannot
hear the words of someone
outside
the box no matter how
informedly,
how articulately
how
insistently she speaks.
from Marisa Crawford's essay on Thelma & Louise in delirious hem:
In Thelma
& Louise,
adult female friendship is a rock-solid and ecstatic alternative to
female subjugation and the traditional romance plot. A joyful,
vibrating vehicle through which one can achieve true freedom and
meaningful self-expression. Until that vehicle drives itself off a
cliff.
If men didn’t rape, Louise wouldn’t have shot the rapist. If the system didn’t blame rape victims, they wouldn’t have gone on the run. If men didn’t rape, they could have driven through Texas. If the system didn’t blame rape victims, Louise wouldn’t have been so afraid. If women weren’t taught they deserve to be treated like shit, they wouldn’t have had to become fugitives in order to feel free. If there was a place for liberated, powerful women who live on their own terms in this world, they wouldn’t have had to create their own. If there was a place for liberated, powerful women who live on their own terms in this world, they wouldn’t have had to plummet into the Grand Canyon in order to feel free.
The logic falls in on itself. Like a sea-foam T-bird falling into the Grand Canyon.
If men didn’t rape, Louise wouldn’t have shot the rapist. If the system didn’t blame rape victims, they wouldn’t have gone on the run. If men didn’t rape, they could have driven through Texas. If the system didn’t blame rape victims, Louise wouldn’t have been so afraid. If women weren’t taught they deserve to be treated like shit, they wouldn’t have had to become fugitives in order to feel free. If there was a place for liberated, powerful women who live on their own terms in this world, they wouldn’t have had to create their own. If there was a place for liberated, powerful women who live on their own terms in this world, they wouldn’t have had to plummet into the Grand Canyon in order to feel free.
The logic falls in on itself. Like a sea-foam T-bird falling into the Grand Canyon.
Identity
of a Mist
This
codex is about identity. I can’t help it.
What
do you really think you have to do? Tara’s
identity
is so fixed she has no sense of self. Or beauty,
but
I hear the buzzing and humming of letters, she says.
Different,
over and over, where the vines trip up
false
magicians. I cannot be debunked; grey as the edges
of
creepy awards.
I’m
still trying to remember where the heartlessness of
care
came from. I engulf the elementary school
in
a cloud, so the children can finally branch out. Not
be
set towards a terminus of skittering chances, dry
gale
— you’re supposed to be bored and superstitious. If you’re
self-destructive,
I say that’s better. Though you shouldn’t
die.
I’d teach them to respect the gutter and the gully.
The
old fathers have to enter the story at some point;
owning
all the diamonds, still; coughing them up for
the
cruel girls. What’re you gonna do with your
jewel?
Smear it with snatch juice and love it to death;
see
if I care. It’s a special kind of life, there in civilization.
But
on the outer fringes you can probably lose your contempt.
So many shared views: I feel like Alice Notley's channeling me.
I don't see Elliot Mishler in the Chain #1 listing. Where did you get this quote from?
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